Sunday, December 8, 2013
In last month's blog post I promised I would share the secret of getting perfect fill-flash shots using the latest generation of Sony equipment (which behave differently from any other camera ever made). I'll get to that in a minute. But first, I want to tell you about my latest e-booklet, and how you can get it for FREE!!!
Friday, November 1, 2013
That's what I was hoping for, anyway. Instead I ended up having to deal with RRBL (Really, REALLY Bad Light). Without good light, even the best equipment might mean mediocre results. Could I manage to bring home sellable shots in such poor conditions?
Monday, September 16, 2013
|(This works, but technically it's not wireless. :-) )|
- Wireless Flash with the RX-100 MK II?
- Original Cameracraft Magazine from 1901
- Seattle Seminar
- Two new e-books
- What's in My Camera Bag(s)?
Wireless Flash with the RX-100 MK II?
Many of you who are fans of the new RX-100 MK II (one of my favorite cameras!) have noticed that the camera has the new hot shoe gracing its top plate. I got excited about that when I first got the camera, for it meant I should be able to employ my #1 technique for getting “Wow!” shots: Wireless Flash.
Sunday, August 18, 2013
Also in this issue:
- Seattle Seminar
- Shooting Monster Trucks (and getting great results with the "worst" equipment)
- Other Stuff
Light is everything in photography. It's more important than sensor size, resolution, high ISO performance, or shooting RAW. Just as there's no substitute for proper focusing, there's no substitute for good light.
Case in point: Have a look at this photo of a talented young cellist taken in ambient light (click on this or any other image to enlarge):
|1/60th, f/5.6, ISO 1000|
Even though I used an A99 and Zeiss optics for this shot, its an incredibly bland shot. Nobody will ever say "Wow!" when they look at it. (And shooting RAW wouldn't have helped! :-) ) Let's see if we can improve this shot by improving the light.
Monday, July 22, 2013
Also in this issue:
- A Death in the Family
- How I Shot This Really Annoying Sculpture
- Rescheduled Seminars
A99 & A77: Same Settings, Different Exposures
It started out innocently enough. Here I was, photographing a science experiment we found in the pantry one night (a potato that decided to start sprouting) and so I thought I'd document it in the studio and go for some dramatic light. I used just one flash on the right, set to manual output. An early shot can be seen above. (As always, click on any image to see a larger version.)
"The depth-of-field is too shallow" I said to myself. "The front leaves are very sharp; but the back ones 4 inches back are too fuzzy". And so I switched from an A99 to an A77, knowing that the smaller sensor will give about 1.5 stops' worth of increased depth-of-field for the same composition. I carefully set up the camera so all the settings were identical, and took a similarly-composed shot:
Tuesday, June 18, 2013
|Me and the World's Smallest Telephone (as verified by the Guinness Book) back in 1980.|
Once upon a time, back in the days of film, time exposures (like of the picture below, which was taken at 2:00 AM using a 20-minute exposure) were very much a trial-and-error process. It was difficult to know how long to keep the shutter open, as the light was too low for the camera's meter to measure accurately, and even if you had a Sekonic handheld light meter (famous for ultra-low-light sensitivity) you still had to account for something called film reciprocity, a property where film would become less sensitive to light the more light hit it.
Thursday, May 16, 2013
- Studiozaloon Portrait - Behind the scenes
- The Road Ahead
- Seminar Schedule
- Preventing Image Theft
Studiozaloon Portrait -Behind the Scenes
I wanted to take a proper "Environmental Portrait" (a portrait showing a person in the environment in which they thrive) of Uncle Chin using my now infamous Five Dollar Studio - one wireless flash and one large diffuser, with some volunteers acting as light stands.
Thursday, April 11, 2013
- A99 and NEX 5R / NEX 6 ebooks are out!
- Singapore's Iconic Architecture (and the building I can't show you)
- Sony's top Lens Designer speaks at Sony Alpha Experience 2013 (video)
- Kickstarter project - help make a romantic comedy!
- Next Seminars...
I just returned from Malaysia and Singapore, then when I got back I pushed out not one, but TWO new books:
As with other recent e-books, one price gets you a .pdf (ideal for your computer or iPad), a .mobi version for your Kindle, AND a .epub format for every other type of e-reader. Those who opt for the printed versions also get a .pdf file - just email me your receipt and I'll send you a download link. Spread the word!
What was I doing in Kuala Lumpur?
Thursday, February 28, 2013
|The kinds of problems I had with automatic fill flash (left) with the NEX-7 (the A77 behaved the same way). Switching to manual flash and manual exposure (right) was the only way to correct for it... until now.|
- Not Your Father's Flash Exposure
- Living Vicariously through war photojournalist Chuck Nacke
- Upcoming Events
- Underwater Photography with the RX-100
Sunday, January 20, 2013
Also in this issue...
- Interpreting the Histogram
- Seminar Updates: Singapore, Seattle, Vancouver
- Some upcoming books
- E-reader Hell
Are Classic Metering Modes Obsolete?
Remember when you first learned about your camera’s different metering modes? (You know, spot metering vs. center weighted vs. multi-segment?) Remember how confusing it was, especially knowing what mode to use in what scenario? And the disappointment you first experienced because you couldn’t get the tools to create the image you had in your mind?
Not many people realize it, but these tools are pretty much obsolete now. They (and the concept of bracketing in 0.3 stop increments) are throwbacks to the days of shooting film, when you were literally shooting blind. Well, with digital you’re not shooting blind anymore. (Just look at the picture you just took, and if you’re not happy with it, use the exposure compensation control to Make it Darker or Make it Lighter.)